Published in 1930, the Posada Monografia was the first major publication devoted to Posada's work. The publisher was Francis Toor of Mexican Folkways and it was really a collaboration of many artists of the time.
In addition to Francis Toor, Paul O'Higgins (aka Pablo Esteban O'Higgins, b. 03/01/1904 - d. 07/16/1983) pulled prints from the original plates that were at the Vanegas Arroyo Publishing house. Blas and his son Arsacio were running the printing house in those days. Diego Rivera wrote a short forward for the publication and Jean Charlot was also involved. This publication helped bring Posada's name into the spotlight and in many ways could be considered the defining work that allowed many people to see for the first time who the artist was that created so many of the images that had appeared in dozens of publications in Mexico from about 1872 and even after Posada's death in 1913.
In addition to Francis Toor, Paul O'Higgins (aka Pablo Esteban O'Higgins, b. 03/01/1904 - d. 07/16/1983) pulled prints from the original plates that were at the Vanegas Arroyo Publishing house. Blas and his son Arsacio were running the printing house in those days. Diego Rivera wrote a short forward for the publication and Jean Charlot was also involved. This publication helped bring Posada's name into the spotlight and in many ways could be considered the defining work that allowed many people to see for the first time who the artist was that created so many of the images that had appeared in dozens of publications in Mexico from about 1872 and even after Posada's death in 1913.